DanceMus Database

Browsing 1–50 of 1190
Title Author ☓ Source ☓ Document Type ☓ Date
Robert Dover’s Cotswold Olympicks Dover, Robert
L’art mimique, suivi d’un traité de la pantomime et de ballet Aubert, Charles book article 1901
Dances from the Inns of Court. Durham, Janelle, and Peter Durham book article 1997
A Booke of Notes and Common Places Merbecke, John book article 1581
The Reception of Diaghilev’s Ballets Russes by Artists and intellectuals in Paris and London, 1909-1914 Acocella, Joan Ross dissertation 1984
The American Careers of Rita Sangalli, Guisepinna Morlacchi and Maria Bonfanti: Nineteenth-Century Ballerinas Barker, Barbara Mackin dissertation 1981
Words into Flesh: Parisian Dance Theater, 1911−1924 Batson, Charles Richard dissertation 1997
’Le Sacre du Printemps’: A Comprehensive Study of Seven Versions of the Ballet. Berg, Shelley dissertation 1985
Singing, Dancing, and Rejoicing in the Round: Latin Sacred Songs with Refrains, circa 1000-1582. Caldwell, Mary Channen Dissertation 2013
The Dancer from the Music: Men, Modern Dance, and Choreomusicalities on the U.S. Stage. Callahan, Daniel Dissertation 2012
Understanding French Grand Opera through Dance. Clark, Maribeth Dissertation 1998
Adolphe Adam’s Ballet La Corsaire at the Paris Opéra, 1856-1868: A Source Study. Collins, Willa Dissertation 2008
Danseuses as Working Women: Ballet and Female Waged Labor at the Paris Opera, 1830−1860 Dawson, Jennifer Anne dissertation 2005
The Jacobean Antimasque within the Masque Context: a Dance Perspective Daye, Anne dissertation 2008
Parade and ‘Le Spectacle Intérieur’: The Role of Jean Cocteau in an Avant-grade Ballet DeBold II, Conrad dissertation 1982
Listening between the Classical and the Sensual: Neoclassicism in Parisian Music and Dance Culture, 1870-1935. Dorf, Samuel N. Dissertation 2009
Nineteenth-century Italian Ballet Music before National Unification: Sources, Style and Context. Ertz, Matilda Ann Butkas Dissertation 2010
Disdain for Dance, Disdain for France: Choreophobia in German Musical Modernism. Frankenbach, Chantal Dissertation 2012
The Black Crook: Ballet in the Gilded Age (1866−1876) Gintautiene, Kristina dissertation 1984
Louis Mayeur: His Life and Works for Saxophone Based on Opera Themes Greenwood, Nancy Lynne dissertation 2005
Pantomime-Ballet on the Music-Hall Stage: The Popularisation of Classical Ballet in Fin-de-Siècle Paris. Gutsche-Miller, Sarah J. Dissertation 2010
Opera and Ballet at the Regio Ducal Teatro of Milan, 1771- 1776: A Musical and Social History. Hansell, Kathleen Kuzmick Dissertation 1980
Nijinsky’s New Dance : Rediscovery of Ritual Design in Le Sacred u Printemps. Hodson, Millicent dissertation 1985
Le Ballet à Paris de 1820−1830 Jacq-Mioche, Sylvie dissertation 1993
Le Gratie d'Amore 1602 Kendall, G. Yvonne dissertation 1985
The Jardin des Femmes as Scenic Convention in French Opera and Ballet Kopchick Spencer, Helena dissertation 2014
Virtue and Virtuosity: America’s Vision of the Romantic Ballet, 1827-1840 Lehman, Rhea H. dissertation 1986
The Russians are Coming: Russian Dancers in the United States, 1910-1933 Levy, Suzane Carbonneau dissertation 1990
French Court Dance in England, 1706-1740: A Study of the Sources. Marsh, Carol G. Dissertation 1985
Dance in the Arts of the Middle Ages. Maynard, Susan Watkins Dissertation 1992
Dance in Handel’s Italian Operas McCleave, S. dissertation 1993
Unofficial Discourses of Gender and Sexuality at the Opéra-Comique during the Belle Époque. McQuinn, Julie Dissertation 2003
La Péri, poème dansé (1911, Paul Dukas) in Its Cultural, Historical and Interdisciplinary Contexts. Minors, Helen Julia Dissertation 2007
Dalcroze Eurhythmics in England: History of an Innovation in Movement and Music Education. Odom, Selma Dissertation 1991
Capturing the Cancan: Body Politics from the Enlightenment to Postmodernity Parfitt-Brown, Claire dissertation 2008
Debussy, Stravinsky, and the Ballets Russes: The Emergence of a New Musical Logic. Pasler, Jann Dissertation 1981
Dancing with Stravinsky: Balanchine, Agon, Movements for Paino and Orchestra and the Language of Classical Ballet. Randel, Julia Dissertation 2004
The Influence of Eighteenth-Century Social Dance on the Viennese Classical Style Reichart, S.B. dissertation 1984
Feuillet's Choréographie, and its Implications in the Society of France and England, 1700 Ritcheson, S.S. dissertation 1965
Minuet, Scherzando, and Scherzo: The Dance Movement in Transition, 1781-1825 Russel, Tilden dissertation 1983
Musique dansante and the Art of Ballet. Schwartz-Bishir, Rebecca Dissertation 2008
Music, Dance, and Female Creativity in Early Twentieth-Century American Performance. Simonson, Mary Dissertation 2007
Secret Gardens in Nineteenth-Century French Opera and Ballet: Landscape, Gender, and Desire. Spencer, Helena Kopchick Dissertation forthcoming
Stravinsky and Balanchine: A Musico-Choreographic Analysis of Agon. Stilwell, Robynn Dissertation 1994
The Choreography of Modernism in France: The Female Dancer in Artistic Production and Aesthetic Consumption, 1830-1925. Townsend, Julie Ann Dissertation 2001
Dancing Queen, Elizabeth I and Anna of Denmark: Dance, Masques, and the Queen’s Role van der Leeuw, Tracy Lee dissertation 2003
Dancing in Body and Spirit: Dance and Sacred Performance in Thirteenth-Century Beguine Texts. Van Oort, Jessica Dissertation 2009
Tchaikovsky’s Swan Lake: The First Productions in Moscow and St. Petersburg Wiley, John Roland, ed and trans. dissertation 1974
An exposition vpon the prophet Ionah Contained in certaine sermons, preached in S. Maries church in Oxford. By George Abbot professor of diuinitie, and maister of Vniuersitie Colledge Abbot, George monograph 1600
A Woman’s Paris: A Handbook of Every-Day Living in the French Capital Abbot, Mary monograph 1900